Process work for the creation of the final presentation. Images show the development of spaces in the model and drawdle as the combination of earth and void begin to create the spaces within the avant-garde film archive.
"How does the cameraman compare with the painter?... The painter maintains in his work a natural distance from reality, the cameraman penetrates deeply into its web" - Walter Benjamin
Thursday, April 28, 2016
Friday, April 15, 2016
Looking at Some Details
Thursday, April 14, 2016
Continuing on with the design process there remain some issues that need to be resolved. For example, how you enter the building, what the facade looks like on the surface of the earth, how certain spaces are emphasized, and how natural light enters, are questions that I will be asking myself in an attempt to resolve some of the finer details of the design. For the pin up I had made a drawdle, illustrating some of the sectional properties of the courtyard spaces and their relationship to one another.
Tuesday, April 5, 2016
Grids and Courtyards
Moving forward by coordinating the courtyard spaces within the grid surface to create a more organized ground facade. Additionally working with organizing the circulation and looking at perspective views.
Sketching potential layout of spaces to fits within the grid |
Axon of the main stairs at the entrance. |
Friday, April 1, 2016
Design Pin-up
The repetition of the courtyards and manipulating the ways in which light enters the building begin to take form in the following sketches, plans, and sections. The circulation begins to take on a labyrinth quality and perhaps even lends itself to circling back around towards the entry sequence. Moving forward spaces need to be worked out in relation to each other in addition to the ground and surrounding buildings.
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