Thursday, April 28, 2016

Process for the Final

Process work for the creation of the final presentation. Images show the development of spaces in the model and drawdle as the combination of earth and void begin to create the spaces within the avant-garde film archive.





Friday, April 15, 2016

Looking at Some Details


 Preparing for the final design by looking closer at the main public entrance area and design of the courtyards. I was looking at a way to transition from the exterior into the main/lobby space with a 3 foot change in elevation. This would involve possible passing the ticket booth and concession stand while creating a seamless and accessible entrance. Additionally, I was looking at the proportions and materiality for the courtyard spaces; experimenting with a stone facade similar to that found on the walls by the library in contrast with glass and tress from the area.





Thursday, April 14, 2016

Continuing on with the design process there remain some issues that need to be resolved. For example, how you enter the building, what the facade looks like on the surface of the earth, how certain spaces are emphasized, and how natural light enters, are questions that I will be asking myself in an attempt to resolve some of the finer details of the design. For the pin up I had made a drawdle, illustrating some of the sectional properties of the courtyard spaces and their relationship to one another.








Tuesday, April 5, 2016

Grids and Courtyards

Moving forward by coordinating the courtyard spaces within the grid surface to create a more organized ground facade. Additionally working with organizing the circulation and looking at perspective views.

Sketching potential layout of spaces to fits within the grid



Axon of the main stairs at the entrance.





Friday, April 1, 2016

Design Pin-up

The repetition of the courtyards and manipulating the ways in which light enters the building begin to take form in the following sketches, plans, and sections. The circulation begins to take on a labyrinth quality and perhaps even lends itself to circling back around towards the entry sequence. Moving forward spaces need to be worked out in relation to each other in addition to the ground and surrounding buildings.