"How does the cameraman compare with the painter?... The painter maintains in his work a natural distance from reality, the cameraman penetrates deeply into its web" - Walter Benjamin
Wednesday, February 3, 2016
Forming the Meshes
The final product of the analysis of the film "Meshes of the Afternoon" begins to reveal the complexity of the film's dialogue and spaces. A timeline is mapped out from which the prominent staircase scenes are expanded and further analyzed. As the film progresses the stairs take on a new form and feeling with each progressive approach and begin to illustrate how a space can develop with time.
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it would be great to see some of the details of this (ie. the collage pieces, etc)
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